{"id":5068,"date":"2020-09-29T13:22:56","date_gmt":"2020-09-29T11:22:56","guid":{"rendered":"https:\/\/izmf.sbg.ac.at\/?page_id=4626"},"modified":"2025-07-09T17:10:05","modified_gmt":"2025-07-09T15:10:05","slug":"dh-projects-at-izmf-imareal","status":"publish","type":"page","link":"https:\/\/geschichte-studium.at\/izmf\/en\/dh-projects-at-izmf-imareal\/","title":{"rendered":"DH Projects"},"content":{"rendered":"<section class=\"wpb-content-wrapper\"><p>[vc_row][vc_column]<div class=\"headings-title\"><div class=\"mb72 mb16 mb-xs-40 text-center\"><h3  class=\"widgettitle mb0\">Ongoing DH projects<\/h3><\/div><\/div>[vc_tta_tour][vc_tta_section title=&#8220;DHInfra.at&#8220; tab_id=&#8220;DHInfra_at&#8220;][vc_column_text]<\/p>\n<h3><span class=\"_pe_N2 PersonaPaneLauncher\" role=\"presentation\"><span class=\"_pe_l\"><span class=\"bidi allowTextSelection\" style=\"box-sizing: inherit;\" data-typo-obfuscation-id=\"typo-65e84756516e3-1\" aria-label=\"Von Flurina Camenisch &lt;flurina.camenisch@kulturforschung.ch&gt;. Dr\u00fccken Sie die EINGABETASTE, um die Visitenkarte zu \u00f6ffnen.\">Digital Humanities Infrastructure Austria<br \/>\n<\/span><\/span><\/span><\/h3>\n<figure class=\"wp-block-table\">\n<table>\n<tbody>\n<tr>\n<td><strong>Head of project<\/strong><\/td>\n<td>Georg Vogeler (Graz)<\/td>\n<\/tr>\n<tr>\n<td><strong>Contributors<\/strong><\/td>\n<td>Christina Antenhofer (Salzburg); Alan van Beek (Salzburg); Karoline D\u00f6ring (Salzburg); Peter F\u00e4rberb\u00f6ck (Salzburg\/Krems); Julia Hintersteiner (Salzburg); Isabella Nicka (Salzburg\/Krems); Martin Sch\u00e4ler (Salzburg); Lina Maria Zangerl (Salzburg); Katharina Zeppezauer-Wachauer (Salzburg)<\/td>\n<\/tr>\n<tr>\n<td><strong>Classification<\/strong><\/td>\n<td>History, German Studies, Informatics, Art history<\/td>\n<\/tr>\n<tr>\n<td><strong>Duration<\/strong><\/td>\n<td>03\/2023\u201306\/2026<\/td>\n<\/tr>\n<tr>\n<td><strong>Website and contact<\/strong><\/td>\n<td><a href=\"https:\/\/www.dhinfra.at\/\">https:\/\/www.dhinfra.at\/<\/a><\/td>\n<\/tr>\n<tr>\n<td><strong>Funding<\/strong><\/td>\n<td>BMBWF<\/td>\n<\/tr>\n<tr>\n<td><strong>Abstract<\/strong><\/td>\n<td> DHInfra.at is building an infrastructure for digitally supported research in the Austrian humanities. It fills the gap between standard offerings in the cultural heritage institutions (digitalisation), in research data management (curated and integrated repositories vs. institutional repositories), in software solutions (subject-specific open source products), and in high-performance computing offerings for the natural, technical and life sciences in the processing of large amounts of data with machine learning. There are plans to procure and implement equipment for the digitisation and storage of data from cultural heritage institutions as well as hardware for research with and productive use of machine learning processes. Open source software will be adapted and further developed to meet the specific needs of the community. The existing CLARIAH-AT consortium facilitates governance and long-term maintenance of the infrastructure.<br \/>\nThe measures initiated in DiTAH to set up the DH helpdesk will be continued in the project. In addition, usage scenarios and competences in the five fields of data capturing and enhanced image sensing, open source software, data management and repositories, infrastructure as a service and machine learning are currently being surveyed at the participating locations in order to determine the specific hardware requirements for the shared infrastructure.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/figure>\n<p>[\/vc_column_text][\/vc_tta_section][vc_tta_section title=&#8220;Digital Hohensalzburg&#8220; tab_id=&#8220;Digital_Hohensalzburg&#8220;][vc_column_text]<\/p>\n<h3><span class=\"_pe_N2 PersonaPaneLauncher\" role=\"presentation\"><span class=\"_pe_l\"><span class=\"bidi allowTextSelection\" style=\"box-sizing: inherit;\" data-typo-obfuscation-id=\"typo-65e977330f1b6-1\" aria-label=\"Von Flurina Camenisch &lt;flurina.camenisch@kulturforschung.ch&gt;. Dr\u00fccken Sie die EINGABETASTE, um die Visitenkarte zu \u00f6ffnen.\"> Digital Hohensalzburg. Linked historical data on material room furnishings and use of space<br \/>\n<\/span><\/span><\/span><\/h3>\n<figure class=\"wp-block-table\">\n<table>\n<tbody>\n<tr>\n<td><strong>Head of project<\/strong><\/td>\n<td>Christina Antenhofer (Salzburg); Ingrid Matschinegg (Salzburg\/Krems)<\/td>\n<\/tr>\n<tr>\n<td><strong>Contributors<\/strong><\/td>\n<td>Stefan Zedlacher (Salzburg\/Krems); Walter Brandst\u00e4tter (Salzburg)<\/td>\n<\/tr>\n<tr>\n<td><strong>Classification<\/strong><\/td>\n<td>History<\/td>\n<\/tr>\n<tr>\n<td><strong>Duration<\/strong><\/td>\n<td>2022\u20122024<\/td>\n<\/tr>\n<tr>\n<td><strong>Website and contact<\/strong><\/td>\n<td><a href=\"https:\/\/hohensalzburg.digital\/\">https:\/\/hohensalzburg.digital\/<\/a><\/td>\n<\/tr>\n<tr>\n<td><strong>Funding<\/strong><\/td>\n<td>Salzburg (state)<\/td>\n<\/tr>\n<tr>\n<td><strong>Abstract<\/strong><\/td>\n<td>\n<div id=\"attachment_6728\" style=\"width: 310px\" class=\"wp-caption alignnone\"><img aria-describedby=\"caption-attachment-6728\" decoding=\"async\" loading=\"lazy\" class=\"size-medium wp-image-6728\" src=\"https:\/\/izmf-salzburg.at\/wp-content\/uploads\/2024\/06\/Burg-300x180.jpg\" alt=\"\" width=\"300\" height=\"180\" srcset=\"https:\/\/geschichte-studium.at\/izmf\/wp-content\/uploads\/2024\/06\/Burg-300x180.jpg 300w, https:\/\/geschichte-studium.at\/izmf\/wp-content\/uploads\/2024\/06\/Burg.jpg 648w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><p id=\"caption-attachment-6728\" class=\"wp-caption-text\">https:\/\/www.imareal.sbg.ac.at\/imareal-projekte\/hohensalzburg-digital\/; Baualterplan: Patrick Schicht; Illustration: Pixabay).<\/p><\/div>\n<p>The aim of the project is the digital processing and linking of space and object-based information from historical sources and historical building data of Hohensalzburg. The gathered data will then be included in Time Machine Europe, with which a new way to experience virtual journeys through time and space has been established.<br \/>\nThe project will be an interdiscipilinary cooperation of the department of History, the IZMF, the IMAREAL of the University of Salzburg and the fortress Hohensalzburg, the Time Machine organisation and the Insitute for architectur and media of the technical University of Graz.<\/p>\n<td><\/tr>\n<\/tbody>\n<\/table>\n<\/figure>\n<p>[\/vc_column_text][\/vc_tta_section][vc_tta_section title=&#8220;Digital plaster cast collection&#8220; tab_id=&#8220;1752045479084-ee30193e-1f0e&#8220;][vc_column_text]<\/p>\n<h3><span class=\"_pe_N2 PersonaPaneLauncher\" role=\"presentation\"><span class=\"_pe_l\"><span class=\"bidi allowTextSelection\" style=\"box-sizing: inherit;\" data-typo-obfuscation-id=\"typo-65e84756516e3-1\" aria-label=\"Von Flurina Camenisch &lt;flurina.camenisch@kulturforschung.ch&gt;. Dr\u00fccken Sie die EINGABETASTE, um die Visitenkarte zu \u00f6ffnen.\">Creation of a digital collection and virtual tour for the plaster cast collection of the Department of Classical Studies in the Old Residence in Salzburg<\/span><\/span><\/span><\/h3>\n<figure class=\"wp-block-table\">\n<table>\n<tbody>\n<tr>\n<td><strong>Contributors<\/strong><\/td>\n<td>Lydia Berger (Salzburg); Alexander Sokolicek (Salzburg); Melissa Vetters (Salzburg)<\/td>\n<\/tr>\n<tr>\n<td><strong>Classification<\/strong><\/td>\n<td>Archeology, Informatics<\/td>\n<\/tr>\n<tr>\n<td><strong>Duration<\/strong><\/td>\n<td>2025\u2013<\/td>\n<\/tr>\n<tr>\n<td><strong>Website and contact<\/strong><\/td>\n<td><a href=\"https:\/\/doi.org\/10.58079\/13y6y\">https:\/\/doi.org\/10.58079\/13y6y<\/a><\/td>\n<\/tr>\n<tr>\n<td><strong>Funding<\/strong><\/td>\n<td>CLARIAH-AT<\/td>\n<\/tr>\n<tr>\n<td><strong>Abstract<\/strong><\/td>\n<td>\n<p>The Department of Classical Studies at the University of Salzburg has 216 plaster casts, most of which were purchased in the 1970s. They are used as teaching materials for classical archaeology and art history and are displayed in the so-called beer cellar of the Alte Residenz. The plaster cast collection is unique in Austria in terms of its composition, so that some of the casts are occasionally loaned to other museums for display (e.g. a classical Amazon was loaned to the KhM Vienna for the exhibition \u2018Idols &amp; Rivals. Artists in Competition\u2019, 20 September 2022\u20138 January 2023); However, it has only been accessible to the general public in exceptional cases (e.g. school tours, Long Night of Museums; the latter in 2024 with more than 1,000 visitors). Various courses have resulted in an extensive collection of catalogue texts and professional, uniform photographs of the casts. In addition, the department has archival records on acquisitions, restorations and the history of the collection.<\/p>\n<p>The aim of the proposed project is to standardise and transfer existing digital material (catalogue texts and images) into an open access collection hosted by the University Library (<a href=\"https:\/\/eplus.uni-salzburg.at\/unisammlungen\">https:\/\/eplus.uni-salzburg.at\/unisammlungen<\/a>). In addition, a virtual tour of part of the department&#8217;s cast collection is to be created as an example and linked to some objects in the digital collection (comparable to the virtual tour on the occasion of the 400th anniversary of the University of Salzburg, <a href=\"https:\/\/my.matterport.com\/show\/?m=PLQqJNWB5Qt\">https:\/\/my.matterport.com\/show\/?m=PLQqJNWB5Qt<\/a>) in order to examine the possibility of barrier-free access to the collection for teaching, research and the interested public in the future.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/figure>\n<p>[\/vc_column_text][\/vc_tta_section][vc_tta_section title=&#8220;Inventaria&#8220; tab_id=&#8220;Inventaria&#8220;][vc_column_text]<\/p>\n<h3><span class=\"_pe_N2 PersonaPaneLauncher\" role=\"presentation\"><span class=\"_pe_l\"><span class=\"bidi allowTextSelection\" style=\"box-sizing: inherit;\" data-typo-obfuscation-id=\"typo-65e977330f1b6-1\" aria-label=\"Von Flurina Camenisch &lt;flurina.camenisch@kulturforschung.ch&gt;. Dr\u00fccken Sie die EINGABETASTE, um die Visitenkarte zu \u00f6ffnen.\">Inventaria. The Making of Inventories as Social Practice. Deciphering the Semantic Worlds of Castle Inventories in the Historical Tyrol<br \/>\n<\/span><\/span><\/span><\/h3>\n<figure class=\"wp-block-table\">\n<table>\n<tbody>\n<tr>\n<td><strong>Head of project<\/strong><\/td>\n<td>Christina Antenhofer (Salzburg); Gerald Hiebel (Innsbruck); Ingrid Matschinegg (Salzburg\/Krems); Claudia Posch (Innsbruck); Gerhard Rampl (Innsbruck)<\/td>\n<\/tr>\n<tr>\n<td><strong>Contributors<\/strong><\/td>\n<td>Walter Brandst\u00e4tter (Salzburg); Christoph Breser (Salzburg\/Krems); Barbara Denicol\u00f2 (Salzburg); Elisabeth Gruber-Toki\u0107 (Innsbruck); Karoline Irschara (Innsbruck); Andrea Mussmann (Innsbruck); Tobias Pamer (Innsbruck; bis 02\/2023); Milena Peralta (Innsbruck); Simon Rabensteiner (Salzburg); Elisabeth Tangerner (Salzburg); Stefan Zedlacher (Salzburg\/Krems)<\/td>\n<\/tr>\n<tr>\n<td><strong>Classification<\/strong><\/td>\n<td>History, German Studies<\/td>\n<\/tr>\n<tr>\n<td><strong>Duration<\/strong><\/td>\n<td>2022\u20122025<\/td>\n<\/tr>\n<tr>\n<td><strong>Website and contact<\/strong><\/td>\n<td><a href=\"https:\/\/www.inventaria.at\">https:\/\/www.inventaria.at<\/a><\/td>\n<\/tr>\n<tr>\n<td><strong>Funding<\/strong><\/td>\n<td>FWF P 35988 (Einzelprojekt)<\/td>\n<\/tr>\n<tr>\n<td><strong>Abstract<\/strong><\/td>\n<td>\n<div id=\"attachment_6746\" style=\"width: 310px\" class=\"wp-caption alignnone\"><img aria-describedby=\"caption-attachment-6746\" decoding=\"async\" loading=\"lazy\" class=\"size-medium wp-image-6746\" src=\"https:\/\/izmf-salzburg.at\/wp-content\/uploads\/2024\/06\/6.-Knowledge-graph-1-300x166.png\" alt=\"\" width=\"300\" height=\"166\" srcset=\"https:\/\/geschichte-studium.at\/izmf\/wp-content\/uploads\/2024\/06\/6.-Knowledge-graph-1-300x166.png 300w, https:\/\/geschichte-studium.at\/izmf\/wp-content\/uploads\/2024\/06\/6.-Knowledge-graph-1-1024x565.png 1024w, https:\/\/geschichte-studium.at\/izmf\/wp-content\/uploads\/2024\/06\/6.-Knowledge-graph-1-768x424.png 768w, https:\/\/geschichte-studium.at\/izmf\/wp-content\/uploads\/2024\/06\/6.-Knowledge-graph-1-1536x848.png 1536w, https:\/\/geschichte-studium.at\/izmf\/wp-content\/uploads\/2024\/06\/6.-Knowledge-graph-1-2048x1131.png 2048w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><p id=\"caption-attachment-6746\" class=\"wp-caption-text\">Ausschnitt aus dem Inventaria-Knowledge-Graph, erstellt mithilfe der Ontologie CIDOC CRM und den zugeh\u00f6rigen Erweiterungen (CRMtex, CRMsci). Das Beispiel zeigt die Erstellung des Inventars f\u00fcr das Schloss Runkelstein im Jahr 1493 im Zuge des Pflegerwechsels von Hans von Leuchtenburg an Zyprian von Sarnthein (linke Bildh\u00e4lfte). Dar\u00fcber hinaus sind all jene Personen angef\u00fcgt, die an der Erstellung des Inventars beteiligt waren und im Protokoll namentlich erw\u00e4hnt sind (rechte Bildh\u00e4lfte) \u00a9 Inventaria 2023.<\/p><\/div>\n<p>The interdisciplinary and inter-university project Inventaria investigates what life was like in medieval castles, using objects as sources. We take a peek through the keyhole into selected castles in historic Tyrol. The project is based on inventories, which are lists of the furniture and equipment found in castles, usually created when there was a change of ownership or administration.<br \/>\nHow did people go about cataloguing and describing all these things? How were rooms inspected \u2013 or which ones were not recorded? Which people were involved in these processes and how did they put the flood of equipment into words? \u2013 We understand inventories as historical texts that tell stories by naming objects and rooms. They provide valuable insights into everyday and social history, into actions, feelings, memories, knowledge and sensory experiences associated with objects.<br \/>\nA remarkable number of such inventories have been preserved for the castles in the historical region of Tyrol for the period from the 14th to the 16th century: 130 of these inventories are being processed with Transkribus, an AI-based platform for text recognition of historical manuscripts. Graphs then visualise the semantic modelling of the information. Our project thus opens up new ways of analysing inventories by making them accessible both in terms of content and material form.<br \/>\nOn the one hand, the project provides insights into the practice of inventorying, the social significance of spaces and objects in castles, and the people associated with them, as well as the history of Tyrol. In addition, we are developing methods in the field of digital humanities and object and practice history that can also be applied outside Tyrol.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/figure>\n<p>[\/vc_column_text][\/vc_tta_section][vc_tta_section title=&#8220;KIKI&#8220; tab_id=&#8220;KIKI&#8220;][vc_column_text]<\/p>\n<h3><span class=\"_pe_N2 PersonaPaneLauncher\" role=\"presentation\"><span class=\"_pe_l\"><span class=\"bidi allowTextSelection\" style=\"box-sizing: inherit;\" data-typo-obfuscation-id=\"typo-65e977330f1b6-1\" aria-label=\"Von Flurina Camenisch &lt;flurina.camenisch@kulturforschung.ch&gt;. Dr\u00fccken Sie die EINGABETASTE, um die Visitenkarte zu \u00f6ffnen.\">Wie das Material ins Bild kam. Kulturelle Innovationen interdisziplin\u00e4r mit KI und DH-Methoden erforschen<br \/>\n<\/span><\/span><\/span><\/h3>\n<figure class=\"wp-block-table\">\n<table>\n<tbody>\n<tr>\n<td><strong>Head of project<\/strong><\/td>\n<td>Isabella Nicka (Salzburg\/Krems); Andreas Uhl (Salzburg)<\/td>\n<\/tr>\n<tr>\n<td><strong>Contributors<\/strong><\/td>\n<td>Miriam Landkammer (Salzburg\/Krems); Michael Linortner (Salzburg); Johannes Schuiki (Salzburg)<\/td>\n<\/tr>\n<tr>\n<td><strong>Classification<\/strong><\/td>\n<td>Artificial Intelligence and Human Interfaces, Art History<\/td>\n<\/tr>\n<tr>\n<td><strong>Duration<\/strong><\/td>\n<td>26.9.2022\u201325.12.2024<\/td>\n<\/tr>\n<tr>\n<td><strong>Website and contact<\/strong><\/td>\n<td><a href=\"https:\/\/www.imareal.sbg.ac.at\/imareal-projekte\/kiki\">https:\/\/www.imareal.sbg.ac.at\/imareal-projekte\/kiki<\/a><\/td>\n<\/tr>\n<tr>\n<td><strong>Funding<\/strong><\/td>\n<td>Salzburg (state)<\/td>\n<\/tr>\n<tr>\n<td><strong>Abstract<\/strong><\/td>\n<td>\n<div id=\"attachment_6764\" style=\"width: 310px\" class=\"wp-caption alignnone\"><img aria-describedby=\"caption-attachment-6764\" decoding=\"async\" loading=\"lazy\" class=\"size-medium wp-image-6764\" src=\"https:\/\/izmf-salzburg.at\/wp-content\/uploads\/2024\/06\/10_03_CVAT_Screenshot-300x200.jpg\" alt=\"\" width=\"300\" height=\"200\" srcset=\"https:\/\/geschichte-studium.at\/izmf\/wp-content\/uploads\/2024\/06\/10_03_CVAT_Screenshot-300x200.jpg 300w, https:\/\/geschichte-studium.at\/izmf\/wp-content\/uploads\/2024\/06\/10_03_CVAT_Screenshot-1024x683.jpg 1024w, https:\/\/geschichte-studium.at\/izmf\/wp-content\/uploads\/2024\/06\/10_03_CVAT_Screenshot-768x512.jpg 768w, https:\/\/geschichte-studium.at\/izmf\/wp-content\/uploads\/2024\/06\/10_03_CVAT_Screenshot-600x400.jpg 600w, https:\/\/geschichte-studium.at\/izmf\/wp-content\/uploads\/2024\/06\/10_03_CVAT_Screenshot.jpg 1228w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><p id=\"caption-attachment-6764\" class=\"wp-caption-text\">Annotation dargestellter Holzmaserungen mit der Software CVAT (Bildbeispiel: Grablegung Christi, Wien, \u00d6NB cod. 2738, fol. 27v, Foto: Universit\u00e4t Salzburg \u2013 IMAREAL).<\/p><\/div>\n<p>Using Artificial Intelligence (AI) this project aims to study paintings from the 14th and 15th centuries. The focus lies particularly on paintings in which materials and fabrics play a central role. On the basis of primary sources from the picture database REALonline machine recognitional techniques will be used to determine depicted material structures and surface qualities in book art and panel painting. These procedures enable analysis regarding the depicted material. Patterns and tendencies, but also special solutions, can be reognised in Big Data Corpora and their causalities can furthermore be studied using art historical methods.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/figure>\n<p>[\/vc_column_text][\/vc_tta_section][vc_tta_section title=&#8220;MHDBDB&#8220; tab_id=&#8220;MHDBDB&#8220;][vc_column_text]<\/p>\n<h3><span class=\"_pe_N2 PersonaPaneLauncher\" role=\"presentation\"><span class=\"_pe_l\"><span class=\"bidi allowTextSelection\" style=\"box-sizing: inherit;\" data-typo-obfuscation-id=\"typo-65e977330f1b6-1\" aria-label=\"Von Flurina Camenisch &lt;flurina.camenisch@kulturforschung.ch&gt;. Dr\u00fccken Sie die EINGABETASTE, um die Visitenkarte zu \u00f6ffnen.\">Mittelhochdeutsche Begriffsdatenbank<br \/>\n<\/span><\/span><\/span><\/h3>\n<figure class=\"wp-block-table\">\n<table>\n<tbody>\n<tr>\n<td><strong>Head of project<\/strong><\/td>\n<td>Katharina Zeppezauer-Wachauer (Salzburg)<\/td>\n<\/tr>\n<tr>\n<td><strong>Contributors<\/strong><\/td>\n<td>Alan van Beek (Salzburg); Julia Hintersteiner (Salzburg)<\/td>\n<\/tr>\n<tr>\n<td><strong>Classification<\/strong><\/td>\n<td>German Studies<\/td>\n<\/tr>\n<tr>\n<td><strong>Duration<\/strong><\/td>\n<td>Long term project (online since 1992)<\/td>\n<\/tr>\n<tr>\n<td><strong>Website and contact<\/strong><\/td>\n<td><a href=\"https:\/\/mhdbdb.sbg.ac.at\/\">https:\/\/mhdbdb.sbg.ac.at\/<\/a><\/td>\n<\/tr>\n<tr>\n<td><strong>Funding<\/strong><\/td>\n<td>Various sponsors such as CLARIAH-AT, DiTAH, permanently located at the University of Salzburg<\/td>\n<\/tr>\n<tr>\n<td><strong>Abstract<\/strong><\/td>\n<td><img decoding=\"async\" loading=\"lazy\" class=\"alignnone size-full wp-image-6420\" title=\"Barrierefreiheit: Kurzbeschreibung des Bildes\" src=\"https:\/\/izmf-salzburg.at\/wp-content\/uploads\/2020\/09\/logo.png\" alt=\"Barrierefreiheit: Kurzbeschreibung des Bildes\" width=\"200\" height=\"192\" data-wp-editing=\"1\" \/><br \/>\nSince the early 1970s, the MHDBDB has explored the middle high and early new high German vocabulary from an onomasiological perspective, i.e. via the meaning of the word. From 2016 to 2020, the database was redesigned and migrated. It now contains about 10.7 million tokens spread over 660 text editions of most diverse text types and genres, with about 6.7 million semantic annotations.<br \/>\nDuring the relaunch, the text editions of the database were transferred to TEI-XML. To allow any number of annotation levels in the e-texts, such as part-of-speech (POS), phrase and sentence structures, onomastics or semantics, the annotations are related to the text tokens via the Web Annotation Vocabulary in the stand-off method.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/figure>\n<p>[\/vc_column_text][\/vc_tta_section][vc_tta_section title=&#8220;MHDBDB goes AI&#8220; tab_id=&#8220;MHDBDB_goes_AI&#8220;][vc_column_text]<\/p>\n<h3><span class=\"_pe_N2 PersonaPaneLauncher\" role=\"presentation\"><span class=\"_pe_l\"><span class=\"bidi allowTextSelection\" style=\"box-sizing: inherit;\" data-typo-obfuscation-id=\"typo-65e84756516e3-1\" aria-label=\"Von Flurina Camenisch &lt;flurina.camenisch@kulturforschung.ch&gt;. Dr\u00fccken Sie die EINGABETASTE, um die Visitenkarte zu \u00f6ffnen.\">MHDBDB goes AI.<br \/>\n<\/span><\/span><\/span><\/h3>\n<figure class=\"wp-block-table\">\n<table>\n<tbody>\n<tr>\n<td><strong>Head of Project<\/strong><\/td>\n<td>Katharina Zeppezauer-Wachauer (Salzburg)<\/td>\n<\/tr>\n<tr>\n<td><strong>Contributors<\/strong><\/td>\n<td>Alan van Beek (Salzburg); Julia Hintersteiner (Salzburg)<\/td>\n<\/tr>\n<tr>\n<td><strong>Classification<\/strong><\/td>\n<td>German Studies<\/td>\n<\/tr>\n<tr>\n<td><strong>Duration<\/strong><\/td>\n<td>01\/2025\u201312\/2025<\/td>\n<\/tr>\n<tr>\n<td><strong>Website and contact<\/strong><\/td>\n<td><a href=\"https:\/\/mhdbdb.plus.ac.at\"> https:\/\/mhdbdb.plus.ac.at<\/a><\/td>\n<\/tr>\n<tr>\n<td><strong>Funding<\/strong><\/td>\n<td>CLARIAH-AT<\/td>\n<\/tr>\n<tr>\n<td><strong>Abstract<\/strong><\/td>\n<td>\nThe LLM \u2018ParzivAI\u2019 is currently being created and trained at Heidelberg University. Dr Florian Nieser (HCHD) and Thomas Renkert (Heidelberg School of Education) are working with the Salzburg project team to train the chatbot using Middle High German and New High German data sets. The MHDBDB is providing its data and preparing it for the format. The release of the LLM ParzivAI is planned as an OER and follows the FAIR principles. This means that the LLM can be used in a wide range of areas, including German, linguistics, digital humanities, education (learning with AI\/AI in education), computational linguistics and specific subject areas such as German studies and medieval studies. This opens up new avenues for research and application of knowledge in both academic research and practical applications.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/figure>\n<p>[\/vc_column_text][\/vc_tta_section][vc_tta_section title=&#8220;Open Middle Ages&#8220; tab_id=&#8220;Open_Middle_Ages&#8220;][vc_column_text]<\/p>\n<h3><span class=\"_pe_N2 PersonaPaneLauncher\" role=\"presentation\"><span class=\"_pe_l\"><span class=\"bidi allowTextSelection\" style=\"box-sizing: inherit;\" data-typo-obfuscation-id=\"typo-65e977330f1b6-1\" aria-label=\"Von Flurina Camenisch &lt;flurina.camenisch@kulturforschung.ch&gt;. Dr\u00fccken Sie die EINGABETASTE, um die Visitenkarte zu \u00f6ffnen.\"> Linked Open Middle Ages<br \/>\n<\/span><\/span><\/span><\/h3>\n<figure class=\"wp-block-table\">\n<table>\n<tbody>\n<tr>\n<td><strong>Head of project<\/strong><\/td>\n<td>Katharina Zeppezauer-Wachauer (Salzburg); Luise Borek (Darmstadt)<\/td>\n<\/tr>\n<tr>\n<td><strong>Contributors<\/strong><\/td>\n<td>Alan van Beek (Salzburg); Linda Beutel-Thurow (Salzburg); Karoline D\u00f6ring (Salzburg); Peter F\u00e4rberb\u00f6ck (Salzburg); Julia Hintersteiner (Salzburg)<\/td>\n<\/tr>\n<tr>\n<td><strong>Classification<\/strong><\/td>\n<td>History, German Studies<\/td>\n<\/tr>\n<tr>\n<td><strong>Duration<\/strong><\/td>\n<td>05\/2021\u201207\/2025<\/td>\n<\/tr>\n<tr>\n<td><strong>Website and contact<\/strong><\/td>\n<td><a href=\"https:\/\/offenesmittelalter.org\"> https:\/\/offenesmittelalter.org<\/a><\/td>\n<\/tr>\n<tr>\n<td><strong>Funding<\/strong><\/td>\n<td>DFG<\/td>\n<\/tr>\n<tr>\n<td><strong>Abstract<\/strong><\/td>\n<td><img decoding=\"async\" loading=\"lazy\" class=\"alignnone size-full wp-image-6420\" src=\"https:\/\/izmf-salzburg.at\/wp-content\/uploads\/2024\/06\/Bild11-300x133.png\" alt=\"\" width=\"300\" height=\"133\" \/><br \/>\nMedieval research objects are part of the cultural heritage. Preserving, developing and making them accessible in a variety of ways for further analysis is a core task of medievalists. Digital approaches and practices are constantly creating new possibilities for this, which is gradually changing the mode of research: The \u2018Network Linked Open Middle Ages\u2019 is intended to offer qualified young researchers an interdisciplinary platform to enrich relevant existing sources of digital medieval studies with innovative procedures, to evaluate these methods and to research the resources together in pilot studies.<br \/>\nLinked-Open-Data-Procedures (LOD) are intended to optimise the quality and depth of data access in such a way that new approaches to the research objects are opened up, which are not only sustainably developed, but whose contextualisation also contributes to a better understanding of the data. The evaluation of the applied methods and the identification of the resulting research potential form two equal pillars within the framework of the envisaged network. LOD is a pragmatically sensible option to tap and further enrich resources and thus make them visible, available and usable for very different research approaches. At the same time, LOD procedures adhere to the FAIR principles (\u201cFindable, Accessible, Interoperable, and Re-usable\u201d) and thus reflect the claim of the open network outlined here in terms of Open Science.<br \/>\nDigitisation turns objects into research data with a high level of evidence for a contemporary expert discourse. While LOD procedures are established for the registration of cultural assets, they have so far played hardly any role in the indexing of research data. Medieval studies, which is interdisciplinary per se, offers a suitable use case for a research-oriented adaptation of these procedures. Based on concrete resources and research contexts of the participating researchers, the network will systematically test for the first time to what extent LOD procedures can be implemented in order to improve the quality of the data and thus also the possibilities and quality of their research. The gained knowledge can be transferred to other disciplines and will be made available to the scientific community as \u2018best practices\u2019. This goes hand in hand with an exchange with various specialist communities and actors from the field of research data management.<br \/>\nThe increased interconnectedness of the data is accompanied by an intensive cross-disciplinary exchange between the participating scientists and their institutions. The resulting networks promise a sustainable foundation for the future, which not only connects the data, but also the researchers involved.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/figure>\n<p>[\/vc_column_text][\/vc_tta_section][vc_tta_section title=&#8220;ONiT&#8220; tab_id=&#8220;ONiT&#8220;][vc_column_text]<\/p>\n<h3><span class=\"_pe_N2 PersonaPaneLauncher\" role=\"presentation\"><span class=\"_pe_l\"><span class=\"bidi allowTextSelection\" style=\"box-sizing: inherit;\" data-typo-obfuscation-id=\"typo-65e977330f1b6-1\" aria-label=\"Von Flurina Camenisch &lt;flurina.camenisch@kulturforschung.ch&gt;. Dr\u00fccken Sie die EINGABETASTE, um die Visitenkarte zu \u00f6ffnen.\"> Osmanische Natur in Reiseberichten, 1501\u20131850: Eine digitale Analyse<br \/>\n<\/span><\/span><\/span><\/h3>\n<figure class=\"wp-block-table\">\n<table>\n<tbody>\n<tr>\n<td><strong>Head of project<\/strong><\/td>\n<td>Arno Strohmeyer (Salzburg)<\/td>\n<\/tr>\n<tr>\n<td><strong>Contributors<\/strong><\/td>\n<td>Doris Gruber (Wien); G\u00fcll\u00fc Y\u0131ld\u0131z (Istanbul); Jakob Ehmann (Wien); Jacopo Jandl (Wien); Michael Seidl (AIT); Michela Vignoli (AIT)<\/td>\n<\/tr>\n<tr>\n<td><strong>Classification<\/strong><\/td>\n<td>History, Informatics<\/td>\n<\/tr>\n<tr>\n<td><strong>Duration<\/strong><\/td>\n<td>2022\u20122025<\/td>\n<\/tr>\n<tr>\n<td><strong>Website and contact<\/strong><\/td>\n<td><a href=\"https:\/\/onit.oeaw.ac.at\/\"> https:\/\/onit.oeaw.ac.at\/<\/a><\/td>\n<\/tr>\n<tr>\n<td><strong>Funding<\/strong><\/td>\n<td>FWF<\/td>\n<\/tr>\n<tr>\n<td><strong>Abstract<\/strong><\/td>\n<td>\n<div id=\"attachment_6752\" style=\"width: 310px\" class=\"wp-caption alignnone\"><img aria-describedby=\"caption-attachment-6752\" decoding=\"async\" loading=\"lazy\" class=\"size-medium wp-image-6752\" src=\"https:\/\/izmf-salzburg.at\/wp-content\/uploads\/2024\/06\/Bild12-300x105.png\" alt=\"\" width=\"300\" height=\"105\" srcset=\"https:\/\/geschichte-studium.at\/izmf\/wp-content\/uploads\/2024\/06\/Bild12-300x105.png 300w, https:\/\/geschichte-studium.at\/izmf\/wp-content\/uploads\/2024\/06\/Bild12.png 641w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><p id=\"caption-attachment-6752\" class=\"wp-caption-text\">Ansicht von Konstantinopel von der Seite von Pera, Frontispiz von Vivant Denon, Allgemeine Reise=Encyklop\u00e4die\u2026, Bd. 4, Berlin: Salfeld 1822, \u00a9\u00d6sterreichische Nationalbibliothek.<\/p><\/div>\n<p>This interdisciplinary Digital Humanities project analyzes Ottoman \u201cnature\u201d in travelogues on the Ottoman empire, printed between 1501 and 1850.<br \/>\nThe leading questions are what role representations of nature played in the reports, whether and, if so, why differences occurred in diachronic and synchronic perspectives, and how the texts and images related to each other. This analysis aims to shed new light on transnational environmental and natural history.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/figure>\n<p>[\/vc_column_text][\/vc_tta_section][vc_tta_section title=&#8220;QhoD&#8220; tab_id=&#8220;QhoD&#8220;][vc_column_text]<\/p>\n<h3><span class=\"_pe_N2 PersonaPaneLauncher\" role=\"presentation\"><span class=\"_pe_l\"><span class=\"bidi allowTextSelection\" style=\"box-sizing: inherit;\" data-typo-obfuscation-id=\"typo-65e977330f1b6-1\" aria-label=\"Von Flurina Camenisch &lt;flurina.camenisch@kulturforschung.ch&gt;. Dr\u00fccken Sie die EINGABETASTE, um die Visitenkarte zu \u00f6ffnen.\"> Digital Scholarly Edition of Habsburg-Ottoman Diplomatic Sources 1500\u20131918<br \/>\n<\/span><\/span><\/span><\/h3>\n<figure class=\"wp-block-table\">\n<table>\n<tbody>\n<tr>\n<td><strong>Head of project<\/strong><\/td>\n<td>Arno Strohmeyer (Salzburg)<\/td>\n<\/tr>\n<tr>\n<td><strong>Contributors<\/strong><\/td>\n<td>Yasir Y\u0131lmaz (Wien\/Salzburg); Zsuzsa Czir\u00e1ki (Wien); Laila Dandachi (Wien); Jakob Sonnberger (Graz)<\/td>\n<\/tr>\n<tr>\n<td><strong>Classification<\/strong><\/td>\n<td>History<\/td>\n<\/tr>\n<tr>\n<td><strong>Duration<\/strong><\/td>\n<td>2020\u20122024<\/td>\n<\/tr>\n<tr>\n<td><strong>Website and contact<\/strong><\/td>\n<td><a href=\"https:\/\/qhod.net\"> https:\/\/qhod.net<\/a><\/td>\n<\/tr>\n<tr>\n<td><strong>Funding<\/strong><\/td>\n<td>\u00d6AW<\/td>\n<\/tr>\n<tr>\n<td><strong>Abstract<\/strong><\/td>\n<td>\n<div id=\"attachment_6721\" style=\"width: 310px\" class=\"wp-caption alignnone\"><img aria-describedby=\"caption-attachment-6721\" decoding=\"async\" loading=\"lazy\" class=\"size-medium wp-image-6721\" src=\"https:\/\/izmf-salzburg.at\/wp-content\/uploads\/2024\/06\/Bild1-300x137.png\" alt=\"\" width=\"300\" height=\"137\" srcset=\"https:\/\/geschichte-studium.at\/izmf\/wp-content\/uploads\/2024\/06\/Bild1-300x137.png 300w, https:\/\/geschichte-studium.at\/izmf\/wp-content\/uploads\/2024\/06\/Bild1.png 536w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><p id=\"caption-attachment-6721\" class=\"wp-caption-text\">Bildausschnitt aus: Austausch der kaiserlichen und der osmanischen Gro\u00dfbotschaft bei Slankamen am 7. Dezember 1699, in: Gr\u00fcnd- und Umst\u00e4ndlicher Bericht von denen R\u00f6misch-Kayserlichen wie auch Ottomannischen Gro\u00df-Bothschaften, Wien 1702. (c) Bayerische Staatsbibliothek, M\u00fcnchen<\/p><\/div>\n<p>QhoD is dedicated to producing critical digital editions of sources on Habsburg-Ottoman diplomacy, covering the period from the inception of diplomatic relations between the Habsburg Monarchy and the Ottoman Empire at the turn of the 15th and 16th centuries to the fall of both empires at the end of World War I. The QhoD project is inspired by recent culturological approaches to politics and the methodologies of &#8222;New Diplomatic History.&#8220; In its current phase, the project team focuses on editing all genres of textual and material sources documenting the grand embassy exchanges between the Habsburg Monarchy and the Ottoman Empire during the early modern era. \u2014 Our platform welcomes external researchers and contributors interested in publishing their source editions as independent sub-projects.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/figure>\n<p>[\/vc_column_text][\/vc_tta_section][vc_tta_section title=&#8220;REALonline&#8220; tab_id=&#8220;REALonline&#8220;][vc_column_text]<\/p>\n<h3><span class=\"_pe_N2 PersonaPaneLauncher\" role=\"presentation\"><span class=\"_pe_l\"><span class=\"bidi allowTextSelection\" style=\"box-sizing: inherit;\" data-typo-obfuscation-id=\"typo-65e977330f1b6-1\" aria-label=\"Von Flurina Camenisch &lt;flurina.camenisch@kulturforschung.ch&gt;. Dr\u00fccken Sie die EINGABETASTE, um die Visitenkarte zu \u00f6ffnen.\"> REALonline \u2013 Image Database<br \/>\n<\/span><\/span><\/span><\/h3>\n<figure class=\"wp-block-table\">\n<table>\n<tbody>\n<tr>\n<td><strong>Head of project<\/strong><\/td>\n<td>Isabella Nicka (Salzburg\/Krems); Peter F\u00e4rberb\u00f6ck (Salzburg\/Krems)<\/td>\n<\/tr>\n<tr>\n<td><strong>Contributors<\/strong><\/td>\n<td>Peter B\u00f6ttcher (Krems); Miriam Landkammer (Salzburg\/Krems)<\/td>\n<\/tr>\n<tr>\n<td><strong>Classification<\/strong><\/td>\n<td>History, Art history<\/td>\n<\/tr>\n<tr>\n<td><strong>Duration<\/strong><\/td>\n<td>Long term project<\/td>\n<\/tr>\n<tr>\n<td><strong>Website and contact<\/strong><\/td>\n<td><a href=\"https:\/\/realonline.imareal.sbg.ac.at\/\"> https:\/\/realonline.imareal.sbg.ac.at\/<\/a><\/td>\n<\/tr>\n<tr>\n<td><strong>Abstract<\/strong><\/td>\n<td><img decoding=\"async\" loading=\"lazy\" class=\"alignnone size-medium wp-image-5412\" src=\"https:\/\/izmf-salzburg.at\/wp-content\/uploads\/2021\/04\/realonline-Logo-300x52.png\" alt=\"\" width=\"300\" height=\"52\" srcset=\"https:\/\/geschichte-studium.at\/izmf\/wp-content\/uploads\/2021\/04\/realonline-Logo-300x52.png 300w, https:\/\/geschichte-studium.at\/izmf\/wp-content\/uploads\/2021\/04\/realonline-Logo-1024x176.png 1024w, https:\/\/geschichte-studium.at\/izmf\/wp-content\/uploads\/2021\/04\/realonline-Logo-768x132.png 768w, https:\/\/geschichte-studium.at\/izmf\/wp-content\/uploads\/2021\/04\/realonline-Logo-1536x264.png 1536w, https:\/\/geschichte-studium.at\/izmf\/wp-content\/uploads\/2021\/04\/realonline-Logo-2048x352.png 2048w, https:\/\/geschichte-studium.at\/izmf\/wp-content\/uploads\/2021\/04\/realonline-Logo-600x103.png 600w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><br \/>\nThe image database REALonline makes the visual cultural heritage from Austria and from regions of Central Europe available via the Internet with all its details. It forms the basis for the study of historical images using digital methods and at the same time makes their complex content accessible to all interested parties.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/figure>\n<p>[\/vc_column_text][\/vc_tta_section][vc_tta_section title=&#8220;SiCPAS&#8220; tab_id=&#8220;SiCPAS&#8220;][vc_column_text]<\/p>\n<h3><span class=\"_pe_N2 PersonaPaneLauncher\" role=\"presentation\"><span class=\"_pe_l\"><span class=\"bidi allowTextSelection\" style=\"box-sizing: inherit;\" data-typo-obfuscation-id=\"typo-65e977330f1b6-1\" aria-label=\"Von Flurina Camenisch &lt;flurina.camenisch@kulturforschung.ch&gt;. Dr\u00fccken Sie die EINGABETASTE, um die Visitenkarte zu \u00f6ffnen.\"> Sigmund of Tyrol&#8217;s Court. Practices \u2013 Actors \u2013 Spaces<br \/>\n<\/span><\/span><\/span><\/h3>\n<figure class=\"wp-block-table\">\n<table>\n<tbody>\n<tr>\n<td><strong>Head of project<\/strong><\/td>\n<td>Barbara Denicol\u00f2<\/td>\n<\/tr>\n<tr>\n<td><strong>Classification<\/strong><\/td>\n<td>History<\/td>\n<\/tr>\n<tr>\n<td><strong>Duration<\/strong><\/td>\n<td>05\/2025\u201210\/2025<\/td>\n<\/tr>\n<tr>\n<td><strong>Website and contact<\/strong><\/td>\n<td><a href=\"mailto:barbara.denicolo@plus.ac.at\">barbara.denicolo@plus.ac.at<\/a><\/td>\n<\/tr>\n<tr>\n<td><strong>Funding<\/strong><\/td>\n<td>University of Salzburg with an Early Career Grant (Awardnr. 34824249); \u00d6AW<\/td>\n<\/tr>\n<tr>\n<td><strong>Abstract<\/strong><\/td>\n<td>\n<div id=\"attachment_6755\" style=\"width: 205px\" class=\"wp-caption alignnone\"><img aria-describedby=\"caption-attachment-6755\" decoding=\"async\" loading=\"lazy\" class=\"size-medium wp-image-6755\" src=\"https:\/\/izmf-salzburg.at\/wp-content\/uploads\/2024\/06\/Bild13-195x300.jpg\" alt=\"\" width=\"195\" height=\"300\" srcset=\"https:\/\/geschichte-studium.at\/izmf\/wp-content\/uploads\/2024\/06\/Bild13-195x300.jpg 195w, https:\/\/geschichte-studium.at\/izmf\/wp-content\/uploads\/2024\/06\/Bild13.jpg 250w\" sizes=\"(max-width: 195px) 100vw, 195px\" \/><p id=\"caption-attachment-6755\" class=\"wp-caption-text\">Meister des Mornauer-Portraits: Herzog Sigismund von \u00d6sterreich, genannt \u201eder M\u00fcnzreiche\u201c etwa 1465 \u2013 1479, gemeinfrei (https:\/\/commons.wikimedia.org\/wiki\/File:Sigismund_of_Tirol_(Alte_Pinakothek)_colour.jpg?uselang=de#Lizenz).<\/p><\/div>\n<p>24 October 2027 marks the 600th anniversary of the birth of Sigmund, Prince of Tyrol and member of the Habsburg dynasty, also known as Sigmund the Coin-Rich (26 October 1427\u20134 March 1496). Sigmund was the son of Frederick IV of Tyrol (1382\u20131439) and his second wife Anna of Brunswick-G\u00f6ttingen. Both his first marriage to Eleanor of Scotland and his second to Catherine of Saxony remained without heir apparent. He is well known in Tyrolean history, and his life and work have found their way into popular historical accounts.<br \/>\nDespite his importance for Tyrolean and Habsburg history, this Tyrolean prince has received little attention in research to date. Most of the information available is therefore based on superficial knowledge or very outdated publications that no longer meet current standards. His court in particular remains largely unexplored.<br \/>\nThe planned project closes this research gap by drawing on the extensive source material and examining Sigmund&#8217;s court using approaches from recent court research and supporting technologies from the field of digital humanities.<br \/>\nThese enable the existing sources to be processed in an economically and scientifically meaningful way, allowing them to be viewed and evaluated in their entirety or from a meta-perspective. Through automatic transcription, annotation and information extraction, a new, contemporary and efficient approach to the sources is being tested, offering new possibilities for insight.<br \/>\nThe focus is on characterising Sigmund&#8217;s court on the basis of the people involved, the material and immaterial spaces used and created, the characteristic practices and the objects associated with them. In particular, it focuses on interactions and overlaps between the four categories of analysis: space, person, object and practice. The main focus is thus on the material and spatial conditions of the court and the question of how actors relate to and move within them.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/figure>\n<p>[\/vc_column_text][\/vc_tta_section][vc_tta_section title=&#8220;Users first (MHDBDB)&#8220; tab_id=&#8220;Users_first&#8220;][vc_column_text]<\/p>\n<h3><span class=\"_pe_N2 PersonaPaneLauncher\" role=\"presentation\"><span class=\"_pe_l\"><span class=\"bidi allowTextSelection\" style=\"box-sizing: inherit;\" data-typo-obfuscation-id=\"typo-65e84756516e3-1\" aria-label=\"Von Flurina Camenisch &lt;flurina.camenisch@kulturforschung.ch&gt;. Dr\u00fccken Sie die EINGABETASTE, um die Visitenkarte zu \u00f6ffnen.\">Users First. Optimisation of user interface, user experience and crowdsourcing at the Middle High German Term Database<\/p>\n<p><\/span><\/span><\/span><\/h3>\n<figure class=\"wp-block-table\">\n<table>\n<tbody>\n<tr>\n<td><strong>Head of project<\/strong><\/td>\n<td>Katharina Zeppezauer-Wachauer (Salzburg)<\/td>\n<\/tr>\n<tr>\n<td><strong>Contributors<\/strong><\/td>\n<td>Alan van Beek (Salzburg); Julia Hintersteiner (Salzburg)<\/td>\n<\/tr>\n<tr>\n<td><strong>Classification<\/strong><\/td>\n<td>German Studies<\/td>\n<\/tr>\n<tr>\n<td><strong>Duration<\/strong><\/td>\n<td>01\/2025\u201312\/2025<\/td>\n<\/tr>\n<tr>\n<td><strong>Website and contact<\/strong><\/td>\n<td><a href=\"https:\/\/mhdbdb.plus.ac.at\"> https:\/\/mhdbdb.plus.ac.at<\/a><\/td>\n<\/tr>\n<tr>\n<td><strong>Funding<\/strong><\/td>\n<td>CLARIAH-AT<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/figure>\n<p>[\/vc_column_text][\/vc_tta_section][vc_tta_section title=&#8220;WB-DEA meets MHDBDB&#8220; tab_id=&#8220;1752045838696-74903bd2-e9ea&#8220;][vc_column_text]<\/p>\n<h3><span class=\"_pe_N2 PersonaPaneLauncher\" role=\"presentation\"><span class=\"_pe_l\"><span class=\"bidi allowTextSelection\" style=\"box-sizing: inherit;\" data-typo-obfuscation-id=\"typo-65e84756516e3-1\" aria-label=\"Von Flurina Camenisch &lt;flurina.camenisch@kulturforschung.ch&gt;. Dr\u00fccken Sie die EINGABETASTE, um die Visitenkarte zu \u00f6ffnen.\">WB-DEA meets MHDBDB. The Wenceslas Bible as a pilot model for interoperable editions<\/span><\/span><\/span><\/h3>\n<figure class=\"wp-block-table\">\n<table>\n<tbody>\n<tr>\n<td><strong>Contributors<\/strong><\/td>\n<td>Julia Hintersteiner (Salzburg)<\/td>\n<\/tr>\n<tr>\n<td><strong>Classification<\/strong><\/td>\n<td>German Studies, Informatics<\/td>\n<\/tr>\n<tr>\n<td><strong>Duration<\/strong><\/td>\n<td>10\/2025\u201303:2026<\/td>\n<\/tr>\n<tr>\n<td><strong>Website and contact<\/strong><\/td>\n<td><a href=\"https:\/\/doi.org\/10.58079\/13y6y\">https:\/\/doi.org\/10.58079\/13y6y<\/a><\/td>\n<\/tr>\n<tr>\n<td><strong>Funding<\/strong><\/td>\n<td>CLARIAH-AT<\/td>\n<\/tr>\n<tr>\n<td><strong>Abstract<\/strong><\/td>\n<td>As part of the \u2018WB meets MHDBDB\u2019 project, the digital edition of the magnificently illuminated Wenceslas Bible is being integrated into the Middle High German Term Database (MHDBDB). The aim is to prepare the richly annotated TEI data of the edition in such a way that it is compatible with the vocabulary and semantic structures of the MHDBDB. This will result in reusable workflows that can also be used for other editions. The project makes an important contribution to the networking of medieval research data, promotes open science and strengthens the sustainable infrastructure of digital humanities.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/figure>\n<p>[\/vc_column_text][\/vc_tta_section][vc_tta_section title=&#8220;Wenceslas Bible&#8220; tab_id=&#8220;Wenceslas_Bible&#8220;][vc_column_text]<\/p>\n<h3><span class=\"_pe_N2 PersonaPaneLauncher\" role=\"presentation\"><span class=\"_pe_l\"><span class=\"bidi allowTextSelection\" style=\"box-sizing: inherit;\" data-typo-obfuscation-id=\"typo-65e977330f1b6-1\" aria-label=\"Von Flurina Camenisch &lt;flurina.camenisch@kulturforschung.ch&gt;. Dr\u00fccken Sie die EINGABETASTE, um die Visitenkarte zu \u00f6ffnen.\"> The Wenceslas Bible \u2013 Digital Edition and Analysis<br \/>\n<\/span><\/span><\/span><\/h3>\n<figure class=\"wp-block-table\">\n<table>\n<tbody>\n<tr>\n<td><strong>Head of project<\/strong><\/td>\n<td>Manfred Kern (Salzburg)<\/td>\n<\/tr>\n<tr>\n<td><strong>Contributors<\/strong><\/td>\n<td>Linda Beutel-Thurow (Salzburg); Martina B\u00fcrgermeister (Graz); Julia Hintersteiner (Salzburg); Edith Kapeller (Salzburg); Viktoria Spadinger (Salzburg); Max Kaiser (Wien); Christoph Steindl (Wien)<\/td>\n<\/tr>\n<tr>\n<td><strong>Classification<\/strong><\/td>\n<td>German Studies, Informatics<\/td>\n<\/tr>\n<tr>\n<td><strong>Duration<\/strong><\/td>\n<td>01\/02\/2022\u201231.10.2024<\/td>\n<\/tr>\n<tr>\n<td><strong>Website and contact<\/strong><\/td>\n<td><a href=\"https:\/\/edition.onb.ac.at\/context:wenbibel\"> https:\/\/edition.onb.ac.at\/context:wenbibel<\/a><\/td>\n<\/tr>\n<tr>\n<td><strong>Funding<\/strong><\/td>\n<td> Salzburg (state)<\/td>\n<\/tr>\n<tr>\n<td><strong>Abstract<\/strong><\/td>\n<td><img decoding=\"async\" loading=\"lazy\" class=\"alignnone\" src=\"https:\/\/izmf-salzburg.at\/wp-content\/uploads\/2024\/06\/Folio-2v_Anfang-Genesis-205x300.jpg\" alt=\"\" width=\"205\" height=\"300\" \/><br \/>\nThe Bible of the Bohemian and German King Wenceslas IV\/II, produced about 1390\u20131400, is one of the most precious manuscripts of the Austrian National Library and a cultural heritage object of the greatest importance. Part of the Ambraser Sammlung that was nominated for the National Document Register Memory of Austria within the UNESCO\u2019s Memory of the World Programme in 2018, it conserves the earliest nearly complete German version of the Hebrew Bible, translated from the Latin vulgate version. The text is combined with a systematic programme of illustrations following an elaborate theological concept. In its present form, the manuscript is in six volumes (Cod. 2759\u20132764) consisting of 1214 parchment folios with 654 main and numerous marginal illustrations. The text is of immense philological interest, the illustrations are of the highest artistic value. Nevertheless, no digital facsimile nor edition of the text has ever been produced, nor is there a combined digital analysis of texts and illustrations. The project will create an interdisciplinary web-based edition consisting of a complete facsimile and transcription, an edition of the main text and all paratexts, a text-related analysis of the illustrations and a synopsis of the Latin version. It will include an editorial commentary, a translation concordance and an iconographic database. The project combines methods of philology, art history and computer science.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/figure>\n<p>[\/vc_column_text][\/vc_tta_section][\/vc_tta_tour][\/vc_column][\/vc_row][vc_row][vc_column]<div class=\"headings-title\"><div class=\"mb72 mb16 mb-xs-40 text-center\"><h3  class=\"widgettitle mb0\">Completed DH projects<\/h3><\/div><\/div>[vc_tta_tour][vc_tta_section title=&#8220;The Domesticated Space&#8220; tab_id=&#8220;The_Domesticated_Space&#8220;][vc_column_text]<\/p>\n<h3> The domesticated space in medieval and early modern times<\/h3>\n<figure class=\"wp-block-table\">\n<table>\n<tbody>\n<tr>\n<td><strong>Head of project<\/strong><\/td>\n<td>Thomas K\u00fchtreiber (Salzburg\/Krems)<\/td>\n<\/tr>\n<tr>\n<td><strong>Contributors<\/strong><\/td>\n<td>Josef Handzel (Salzburg\/Krems); Christina Schmid (Salzburg\/Krems); Gabriele Schichta (Salzburg\/Krems)<\/td>\n<\/tr>\n<tr>\n<td><strong>Classification<\/strong><\/td>\n<td>Archeology, History<\/td>\n<\/tr>\n<tr>\n<td><strong>Completed<\/strong><\/td>\n<td>2015<\/td>\n<\/tr>\n<tr>\n<td><strong>Webseite and contact<\/strong><\/td>\n<td><a href=\"https:\/\/www.imareal.sbg.ac.at\/imareal-projekte\/der-domestizierte-raum\/\"> https:\/\/www.imareal.sbg.ac.at\/imareal-projekte\/der-domestizierte-raum\/<\/a><\/td>\n<\/tr>\n<tr>\n<td><strong>Abstract<\/strong><\/td>\n<td>The aim of this project cluster, which was located at IMAREAL from 2006 to 2105, was to examine the &#8222;domesticated&#8220; space used for residential and economic purposes from the point of view of material culture.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/figure>\n<p>[\/vc_column_text][\/vc_tta_section][vc_tta_section title=&#8220;DiploKO&#8220; tab_id=&#8220;DiploKO&#8220;][vc_column_text]<\/p>\n<h3>The Mediality of Diplomatic Communication &#8211; Habsburg Envoys in Constantinople in the Mid-17th Century<\/h3>\n<figure class=\"wp-block-table\">\n<table>\n<tbody>\n<tr>\n<td><strong>Head of project<\/strong><\/td>\n<td>Arno Strohmeyer (Salzburg)<\/td>\n<\/tr>\n<tr>\n<td><strong>Contributors<\/strong><\/td>\n<td>Anna Huemer (Salzburg)<\/td>\n<\/tr>\n<tr>\n<td><strong>Classification<\/strong><\/td>\n<td>History<\/td>\n<\/tr>\n<tr>\n<td><strong>Completed<\/strong><\/td>\n<td>2021<\/td>\n<\/tr>\n<tr>\n<td><strong>Website and contact<\/strong><\/td>\n<td><a href=\"http:\/\/diploko.at\/\"> http:\/\/diploko.at\/<\/a><\/td>\n<\/tr>\n<tr>\n<td><strong>Abstract<\/strong><\/td>\n<td><img decoding=\"async\" loading=\"lazy\" class=\"alignnone size-full wp-image-6420\" src=\"https:\/\/izmf-salzburg.at\/wp-content\/uploads\/2021\/01\/diploko-logo-weiss-hintergrund-gruen-300x103.png\" alt=\"\" width=\"300\" height=\"103\" \/><br \/>\nThis FWF-funded project examines the communication of Habsburg diplomats in Constantinople with the Imperial Court in Vienna. Their letters and travelogues will be analysed using modern computer-based methods and from the perspective of media studies. Media are understood as active agents that follow their own logic and significantly shape the transfer of information.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/figure>\n<p>[\/vc_column_text][\/vc_tta_section][vc_tta_section title=&#8220;DiTAH&#8220; tab_id=&#8220;1752051591531-314aa571-7f1a&#8220;][vc_column_text]<\/p>\n<h3><span class=\"_pe_N2 PersonaPaneLauncher\" role=\"presentation\"><span class=\"_pe_l\"><span class=\"bidi allowTextSelection\" style=\"box-sizing: inherit;\" data-typo-obfuscation-id=\"typo-65e84756516e3-1\" aria-label=\"Von Flurina Camenisch &lt;flurina.camenisch@kulturforschung.ch&gt;. Dr\u00fccken Sie die EINGABETASTE, um die Visitenkarte zu \u00f6ffnen.\">Digitale Transformation der \u00d6sterreichischen Geisteswissenschaften<br \/>\n<\/span><\/span><\/span><\/h3>\n<figure class=\"wp-block-table\">\n<table>\n<tbody>\n<tr>\n<td><strong>Head of project<\/strong><\/td>\n<td>Georg Vogeler (Graz)<\/td>\n<\/tr>\n<tr>\n<td><strong>Contributors<\/strong><\/td>\n<td>Christina Antenhofer (Salzburg); Alan van Beek (Salzburg); Karoline D\u00f6ring (Salzburg); Peter F\u00e4rberb\u00f6ck (Salzburg\/Krems); Julia Hintersteiner (Salzburg); Isabella Nicka (Salzburg\/Krems); Lina Maria Zangerl (Salzburg); Katharina Zeppezauer-Wachauer (Salzburg)<\/td>\n<\/tr>\n<tr>\n<td><strong>Classification<\/strong><\/td>\n<td>History, German Studies, Art history<\/td>\n<\/tr>\n<tr>\n<td><strong>Duration<\/strong><\/td>\n<td>5\/2020\u201212\/2024<\/td>\n<\/tr>\n<tr>\n<td><strong>Website and contact<\/strong><\/td>\n<td><a href=\" https:\/\/ditah.at\/\"> https:\/\/ditah.at\/\/<\/a><\/td>\n<\/tr>\n<tr>\n<td><strong>Funding<\/strong><\/td>\n<td>BMBWF<\/td>\n<\/tr>\n<tr>\n<td><strong>Abstract<\/strong><\/td>\n<td>The University of Salzburg offers a wide range of courses, data resources and research in the field of DH. Within the framework of DiTAH, humanities scholars from the Faculty of Social Sciences (GW) and the Faculty of Cultural Studies (KW) work closely with computer scientists from the Faculty of Digital and Analytical Sciences (DAS) and the IT services of PLUS. This interdisciplinary approach, based on the three pillars of \u2018infrastructure\u2019, \u2018methods and tools\u2019 and \u2018knowledge transfer\u2019, enables complex research questions to be addressed and innovative solutions to be developed that serve to impart and expand digital skills, methods and infrastructures.<br \/>\nThe DiTAH network of the three faculties GW, KW and DAS has three main objectives: Firstly, the creation of a DH helpdesk for consulting, dissemination and coordination. It optimises the cooperation between DH researchers and DH teaching at PLUS; secondly, the intensification of DH teaching at the University of Salzburg. Students at all three faculties learn how DH methods are applied and what opportunities they offer from a disciplinary or interdisciplinary perspective; thirdly, the evaluation of data models and data processing in the context of the Semantic Web and LOD in the cultural heritage sector. As part of a smaller DiTAH sub-project, the significance of semantic annotations and links to higher-level ontologies is being investigated so that data from DH projects can be analysed in terms of big(ger) data and reused in various scenarios.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/figure>\n<p>[\/vc_column_text][\/vc_tta_section][vc_tta_section title=&#8220;Historical recipe database&#8220; tab_id=&#8220;Historical_recipe_database&#8220;][vc_column_text]<\/p>\n<h3>Historical recipe database of gastrosophy<\/h3>\n<figure class=\"wp-block-table\">\n<table>\n<tbody>\n<tr>\n<td><strong>Head of project<\/strong><\/td>\n<td>Marlene Ernst (Salzburg)<\/td>\n<\/tr>\n<tr>\n<td><strong>Classification <\/strong><\/td>\n<td>History<\/td>\n<\/tr>\n<tr>\n<td><strong>Completed<\/strong><\/td>\n<td>2020<\/td>\n<\/tr>\n<tr>\n<td><strong>Website and contact<\/strong><\/td>\n<td><a href=\"http:\/\/gastrosophie.sbg.ac.at\/kbforschung\/r-datenbank\/ \"> http:\/\/gastrosophie.sbg.ac.at\/kbforschung\/r-datenbank\/<\/a><\/td>\n<\/tr>\n<tr>\n<td><strong>Abstract<\/strong><\/td>\n<td><img decoding=\"async\" loading=\"lazy\" class=\"alignnone size-medium wp-image-5429\" src=\"https:\/\/izmf-salzburg.at\/wp-content\/uploads\/2021\/04\/Gastrosophie-Logo-300x77.jpg\" alt=\"\" width=\"300\" height=\"77\" srcset=\"https:\/\/geschichte-studium.at\/izmf\/wp-content\/uploads\/2021\/04\/Gastrosophie-Logo-300x77.jpg 300w, https:\/\/geschichte-studium.at\/izmf\/wp-content\/uploads\/2021\/04\/Gastrosophie-Logo.jpg 551w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><br \/>\nThe Historical Recipe Database serves as a collection of historical cookbooks and cookbook manuscripts (mainly from the Baroque period). More than 9000 recorded recipes from the late 15th to 18th centuries allow cross-source and cross-language analysis. Citizen Science participation will gradually expand the database.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/figure>\n<p>[\/vc_column_text][\/vc_tta_section][vc_tta_section title=&#8220;Recipe tradition&#8220; tab_id=&#8220;Recipe_tradition&#8220;][vc_column_text]<\/p>\n<h3>Recipe tradition in the Middle Ages<\/h3>\n<figure class=\"wp-block-table\">\n<table>\n<tbody>\n<tr>\n<td><strong>Head of project<\/strong><\/td>\n<td>Barbara Denicol\u00f2 (Salzburg)<\/td>\n<\/tr>\n<tr>\n<td><strong>Classification<\/strong><\/td>\n<td>History<\/td>\n<\/tr>\n<tr>\n<td><strong>Completed<\/strong><\/td>\n<td>2023<\/td>\n<\/tr>\n<tr>\n<td><strong>Website and contact<\/strong><\/td>\n<td><a href=\"mailto:barabara.denicolo@plus.ac.at\">barabara.denicolo@plus.ac.at<\/a><\/td>\n<\/tr>\n<tr>\n<td><strong>Abstract<\/strong><\/td>\n<td>In cooperation with the Graz project Cooking Recipes of the Middle Ages (CoReMA), the German recipes written down from the 14th to the 16th century are compared. Using the historical discourse analysis, developments are analyzed based on selected questions of cultural history.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/figure>\n<p>[\/vc_column_text][\/vc_tta_section][vc_tta_section title=&#8220;Digital Tools for Historical Inventories&#8220; tab_id=&#8220;Digital_Tools_for_Historical_Inventories&#8220;][vc_column_text]<\/p>\n<h3>Sustainable creation of digital resources and tools for historical inventories<\/h3>\n<figure class=\"wp-block-table\">\n<table>\n<tbody>\n<tr>\n<td><strong>Head of project<\/strong><\/td>\n<td>Christina Antenhofer (Salzburg); Ingrid Matschinegg (Salzburg\/Krems)<\/td>\n<\/tr>\n<tr>\n<td><strong>Classification<\/strong><\/td>\n<td>History<\/td>\n<\/tr>\n<tr>\n<td><strong>Completed<\/strong><\/td>\n<td>2021<\/td>\n<\/tr>\n<tr>\n<td><strong>Website and contact<\/strong><\/td>\n<td><a href=\"https:\/\/digital-humanities.at\/de\/dha\/s-project\/digital-tools-historical-inventories \"> https:\/\/digital-humanities.at\/de\/dha\/s-project\/digital-tools-historical-inventories<\/a><\/td>\n<\/tr>\n<tr>\n<td><strong>Funding<\/strong><\/td>\n<td>CLARIAH-AT<\/td>\n<\/tr>\n<tr>\n<td><strong>Abstract<\/strong><\/td>\n<td><img decoding=\"async\" loading=\"lazy\" class=\"alignnone size-medium wp-image-5426\" src=\"https:\/\/izmf-salzburg.at\/wp-content\/uploads\/2021\/04\/logo4_fastquadratisch-300x178.jpg\" alt=\"\" width=\"300\" height=\"178\" srcset=\"https:\/\/geschichte-studium.at\/izmf\/wp-content\/uploads\/2021\/04\/logo4_fastquadratisch-300x178.jpg 300w, https:\/\/geschichte-studium.at\/izmf\/wp-content\/uploads\/2021\/04\/logo4_fastquadratisch-1024x607.jpg 1024w, https:\/\/geschichte-studium.at\/izmf\/wp-content\/uploads\/2021\/04\/logo4_fastquadratisch-768x455.jpg 768w, https:\/\/geschichte-studium.at\/izmf\/wp-content\/uploads\/2021\/04\/logo4_fastquadratisch-1536x911.jpg 1536w, https:\/\/geschichte-studium.at\/izmf\/wp-content\/uploads\/2021\/04\/logo4_fastquadratisch-600x356.jpg 600w, https:\/\/geschichte-studium.at\/izmf\/wp-content\/uploads\/2021\/04\/logo4_fastquadratisch.jpg 1773w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><br \/>\nProject within the framework of CLARIAH-AT from 2020 to 2021 (Austrian Center for Digital Humanities).<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/figure>\n<p>[\/vc_column_text][\/vc_tta_section][vc_tta_section title=&#8220;ONAMA&#8220; tab_id=&#8220;ONAMA&#8220;][vc_column_text]<\/p>\n<h3>Ontology of Narratives of the Middle Ages<\/h3>\n<figure class=\"wp-block-table\">\n<table>\n<tbody>\n<tr>\n<td><strong>Head of project<\/strong><\/td>\n<td>Katharina Zeppezauer-Wachauer (Salzburg)<\/td>\n<\/tr>\n<tr>\n<td><strong>Contributors<\/strong><\/td>\n<td>Peter Hinkelmanns (Salzburg); Miriam Landkammer (Salzburg\/Krems); Isabella Nicka (Salzburg\/Krems); Manuel Schwembacher (Salzburg)<\/td>\n<\/tr>\n<tr>\n<td><strong>Classification<\/strong><\/td>\n<td>German Studies, Art History<\/td>\n<\/tr>\n<tr>\n<td><strong>Completed<\/strong><\/td>\n<td>2021<\/td>\n<\/tr>\n<tr>\n<td><strong>Website and contact<\/strong><\/td>\n<td><a href=\"http:\/\/onama.sbg.ac.at\/\"> http:\/\/onama.sbg.ac.at\/<\/a><\/td>\n<\/tr>\n<tr>\n<td><strong>Funding<\/strong><\/td>\n<td>\u00d6AW<\/td>\n<\/tr>\n<tr>\n<td><strong>Abstract<\/strong><\/td>\n<td><img decoding=\"async\" loading=\"lazy\" class=\"alignnone size-medium wp-image-5444\" src=\"https:\/\/izmf-salzburg.at\/wp-content\/uploads\/2021\/04\/ONAMA_logo-1-300x75.png\" alt=\"\" width=\"300\" height=\"75\" srcset=\"https:\/\/geschichte-studium.at\/izmf\/wp-content\/uploads\/2021\/04\/ONAMA_logo-1-300x75.png 300w, https:\/\/geschichte-studium.at\/izmf\/wp-content\/uploads\/2021\/04\/ONAMA_logo-1-768x192.png 768w, https:\/\/geschichte-studium.at\/izmf\/wp-content\/uploads\/2021\/04\/ONAMA_logo-1-600x150.png 600w, https:\/\/geschichte-studium.at\/izmf\/wp-content\/uploads\/2021\/04\/ONAMA_logo-1.png 1000w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><br \/>\nSince the 1st of March 2019, the project team of ONAMA has been working on the creation of a computer-aided system of relations of medieval narratological entities in texts and images. The project is funded by the Austrian Academy of Science (\u00d6AW) until 31.12.2021 as part of the go!digital Next Generation funding program.<br \/>\nIn cooperation between the MHDBDB and IMAREAL (REALonline), Peter Hinkelmanns, Miriam Landkammer, Isabella Nicka, Manuel Schwembacher and Katharina Zeppezauer-Wachauer (coordination) create a connection between the two databases in order to overcome the technical boundaries between pictorial and textual tradition.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/figure>\n<p>[\/vc_column_text][\/vc_tta_section][vc_tta_section title=&#8220;Sp\u00e4ngler Household Books&#8220; tab_id=&#8220;Spaengler_Household_Books&#8220;][vc_column_text]<\/p>\n<h3>Sp\u00e4ngler Household Books<\/h3>\n<figure class=\"wp-block-table\">\n<table>\n<tbody>\n<tr>\n<td><strong>Head of project<\/strong><\/td>\n<td>Reinhold Reith (Salzburg); Georg St\u00f6ger (Salzburg)<\/td>\n<\/tr>\n<tr>\n<td><strong>Classification<\/strong><\/td>\n<td>History<\/td>\n<\/tr>\n<tr>\n<td><strong>Completed<\/strong><\/td>\n<td>2019<\/td>\n<\/tr>\n<tr>\n<td><strong>Website and contact<\/strong><\/td>\n<td><a href=\"https:\/\/www.spaengler-haushaltsbuecher.at\/\"> https:\/\/www.spaengler-haushaltsbuecher.at\/<\/a><\/td>\n<\/tr>\n<tr>\n<td><strong>Funding<\/strong><\/td>\n<td>FWF<\/td>\n<\/tr>\n<tr>\n<td><strong>Abstract<\/strong><\/td>\n<td><img decoding=\"async\" loading=\"lazy\" class=\"alignnone size-full wp-image-5424\" src=\"https:\/\/izmf-salzburg.at\/wp-content\/uploads\/2021\/04\/spaengler_web_app_tiny.jpg\" alt=\"\" width=\"189\" height=\"112\" \/><br \/>\nThe cooperation project of the Salzburg City Archives and the Department of History of the University of Salzburg, Die Ausgabenb\u00fccher der Kaufmannsfamilie Sp\u00e4ngler (short Sp\u00e4ngler Haushaltsb\u00fccher), provides an insight into the everyday life of a middle-class merchant family. A full-text edition and a related database make the edition books of the Salzburg cloth and silk merchant Franz Anton Sp\u00e4ngler from the period 1733 to 1785 freely accessible as a web application. This makes edited spending books of 18th-century households available for the first time as an open access publication.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/figure>\n<p>[\/vc_column_text][\/vc_tta_section][vc_tta_section title=&#8220;thingTAG&#8220; tab_id=&#8220;thingTAG&#8220;][vc_column_text]<\/p>\n<h3>thingTAG \u2012 Middle Ages<\/h3>\n<figure class=\"wp-block-table\">\n<table>\n<tbody>\n<tr>\n<td><strong>Head of project<\/strong><\/td>\n<td>Isabella Nicka (Salzburg\/Krems)<\/td>\n<\/tr>\n<tr>\n<td><strong>Contributors<\/strong><\/td>\n<td>Miriam Landkammer (Salzburg\/Krems)<\/td>\n<\/tr>\n<tr>\n<td><strong>Classification<\/strong><\/td>\n<td>Art history<\/td>\n<\/tr>\n<tr>\n<td><strong>Completed<\/strong><\/td>\n<td>2022<\/td>\n<\/tr>\n<tr>\n<td><strong>Website and contact<\/strong><\/td>\n<td><a href=\"https:\/\/www.imareal.sbg.ac.at\/imareal-projekte\/thingtag\/\"> https:\/\/www.imareal.sbg.ac.at\/imareal-projekte\/thingtag\/<\/a><\/td>\n<\/tr>\n<tr>\n<td><strong>Funding<\/strong><\/td>\n<td>Lower Austria (state) | Austrian Federal Ministry for Housing, Arts, Culture, Media and Sport<\/td>\n<\/tr>\n<tr>\n<td><strong>Abstract<\/strong><\/td>\n<td><img decoding=\"async\" loading=\"lazy\" class=\"alignnone\" src=\"https:\/\/izmf-salzburg.at\/wp-content\/uploads\/2024\/06\/thingtag_Screenshot2-142x300.png\" alt=\"\" width=\"142\" height=\"300\" \/><br \/>\nIn the project &#8222;thingTAG-Middle Ages&#8220; we are developing an interactive app that combines education with a computer game. The game is about finding and annotating (tagging) objects in medieval paintings.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/figure>\n<p>[\/vc_column_text][\/vc_tta_section][vc_tta_section title=&#8220;Travelogues&#8220; tab_id=&#8220;Travelogues&#8220;][vc_column_text]<\/p>\n<h3>TRAVELOGUES: Perceptions of the Other 1500\u20131876 \u2013 A Computerized Analysis<\/h3>\n<figure class=\"wp-block-table\">\n<table>\n<tbody>\n<tr>\n<td><strong>Head of project<\/strong><\/td>\n<td>Arno Strohmeyer (Salzburg)<\/td>\n<\/tr>\n<tr>\n<td><strong>Contributors<\/strong><\/td>\n<td>Doris Gruber (Wien); Martin Krickl (Wien); Lijun Lyu (Hannover); Rainer Simon (Wien)<\/td>\n<\/tr>\n<tr>\n<td><strong>Classification<\/strong><\/td>\n<td>History, Informatics<\/td>\n<\/tr>\n<tr>\n<td><strong>Completed<\/strong><\/td>\n<td>2021<\/td>\n<\/tr>\n<tr>\n<td><strong>Website and contact<\/strong><\/td>\n<td><a href=\"https:\/\/travelogues-project.info\/\"> https:\/\/travelogues-project.info\/<\/a><\/td>\n<\/tr>\n<tr>\n<td><strong>Funding<\/strong><\/td>\n<td>FWF, DFG<\/td>\n<\/tr>\n<tr>\n<td><strong>Abstract<\/strong><\/td>\n<td><img decoding=\"async\" loading=\"lazy\" class=\"alignnone\" title=\"Barrierefreiheit: Kurzbeschreibung des Bildes\" src=\"https:\/\/izmf-salzburg.at\/wp-content\/uploads\/2020\/11\/travelogues-subline-long-\u2013-bg-1-300x55.png\" alt=\"Barrierefreiheit: Kurzbeschreibung des Bildes\" width=\"300\" height=\"55\" \/><br \/>\nThis interdisciplinary and international project focuses on German language travelogues in the collections of the Austrian National Library, covering the period from 1500 to 1876. In order to analyze perceptions of \u201cthe other\u201d and \u201cthe orient\u201d in a large-scale text corpus, algorithms for the semi-automatized search for, and evaluation of, digitally available texts are being created.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/figure>\n<p>[\/vc_column_text][\/vc_tta_section][\/vc_tta_tour][\/vc_column][\/vc_row]<\/p>\n<\/section>","protected":false},"excerpt":{"rendered":"<p>[vc_row][vc_column][vc_tta_tour][vc_tta_section title=&#8220;DHInfra.at&#8220; tab_id=&#8220;DHInfra_at&#8220;][vc_column_text] Digital Humanities Infrastructure Austria Head of project Georg Vogeler (Graz) Contributors Christina Antenhofer&#8230;<\/p>\n","protected":false},"author":3,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_bbp_topic_count":0,"_bbp_reply_count":0,"_bbp_total_topic_count":0,"_bbp_total_reply_count":0,"_bbp_voice_count":0,"_bbp_anonymous_reply_count":0,"_bbp_topic_count_hidden":0,"_bbp_reply_count_hidden":0,"_bbp_forum_subforum_count":0},"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v20.2.1 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>DH Projects - IZMF - Interdisziplin\u00e4res Zentrum f\u00fcr Mittelalter und Fr\u00fchneuzeit<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/geschichte-studium.at\/izmf\/en\/dh-projects-at-izmf-imareal\/\" \/>\n<meta property=\"og:locale\" content=\"de_DE\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"DH Projects - IZMF - Interdisziplin\u00e4res Zentrum f\u00fcr Mittelalter und Fr\u00fchneuzeit\" \/>\n<meta property=\"og:description\" content=\"[vc_row][vc_column][vc_tta_tour][vc_tta_section title=&#8220;DHInfra.at&#8220; 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